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Monsanto Canada’s Trish Jordan (l) and actor Carey Lawrence who plays Jordan in “Seeds,” a play about Percy Schmeiser’s battle with Monsanto over patent infringement on at Winnipeg’s Prairie Theatre Exchange until Feb. 28.[/caption]
The portrayal of several scientists is less accurate, making one out to be supercilious and two others as beer-swilling goofballs.
Complaints
Some audience members have complained the play doesn’t give those opposed to genetically modified (GM) crops enough weight, while others argue Monsanto’s perspective is downplayed.
“We have to remember the audience comes into the play with expectations and judgments already in their minds and often that influences how they see the portrayal of the characters,” Soutar said.
The play attracts people on both sides of the GM schism and challenges their assumptions.
“I like to engage with a diverse audience that has different opinions about things,” she added. “Very often we’ll have organic farmers and people from Monsanto in the same room. We’ll have academics and people directly involved in agriculture in the same room and the conversation that arises between them I think can be very dynamic.”
In an interview following the production Feb. 16 Jordan said she doesn’t agree with everything in the play, but is pleased Monsanto’s perspective is included. (Monsanto is sponsoring the actors’ accommodation during the play’s Winnipeg run.)
“For us it’s an opportunity to have a dialogue around issues that people don’t normally discuss,” she said. “As you know a lot of people have multiple misconceptions about Monsanto and who we are and what we do and so if this gives the opportunity for people to start talking about it and ask us questions and ask others about it then I think that’s a good thing.”
Thumbs up
Organic farmer and inspector Stuart McMillan gave the play a thumbs up during a panel discussion hosted Feb. 18 by the Winnipeg Free Press news cafe.
Jordan, who initially brushed off Soutar’s interview request, is happy she relented.
“I think Trish is someone who is quite skeptical about the media in general and its capacity to tell balanced stories,” Soutar said. “I made the argument… I was going to write this play and if I didn’t have her testimony, or testimony from someone at Monsanto, I wouldn’t be able to achieve the balance that I sought.
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“I think that argument touched her.”
Soutar said her relationship with Jordan has evolved over the last dozen years.
“We have our disagreements and she (Trish) knows I’m not there to promote the interests of Monsanto,” Soutar said. “We opened a dialogue for Monsanto so people can get to know them but also to vent some of the criticism about how they operate.”
The scientific consensus around the safety of GM food is stronger now than when the play was written, but the debate is more emotional and divisive than ever, she said.
“I think the activists have been more mobilized and that’s why I think companies like Monsanto feel having a forum for discussion like the play is necessary.”
